You can use either patent gold or loose gold with this system. You want a thin, even film over the base and it needs to dry before applying the gold leaf. You can use a brush or a soft cloth to apply this to the base when it’s dry. Next, I applied the Kolner Instacoll System ACTIVATOR. The first coat must be completely dry before applying the second coat. (You can clean your brushes with soap and water). It’s really important to avoid making brushstrokes if you want a very smooth gold surface. This needs to dry completely- 1-3 hours between coats. I thinned it a little with a drop or two of distilled water. Next, I applied the Kolner Instacoll System BASE in two thinned layers. (This mixture can be stored in a cool dry place for several weeks only, so only mix the amount you think you will need.) You will find technical articles about this on the web- here is one. I used a mixture that is 1 part blonde shellac flakes to 4 parts denatured alcohol. The natural gesso is a porous surface, and even for other gilding methods, it is suggested to coat the surface with shellac thinned with denatured alcohol. Different Methods of Application Shellacįirst, applying one or two coats of shellac to the area to be gilded is most beneficial. I have experimented extensively with it and am happy to share some of the technical information I have observed. Many iconographers love this method because of its relative ease in application but particularly for its very shiny surface when it’s finished. With this in mind, I’m currently preparing to teach an online icon writing class that, in addition to teaching how to paint an icon using egg tempera, will focus on how to gild using the Kolner Instacoll Gilding System. Only in this way of sharing our experience can we hope to add the best quality to our icons and I know that we all want to bless the Lord with our most excellent work. I invite any of my readers who has experience with these new products to please write about it so it can be shared and published here. New Gilding MaterialsĪt the same time, many, many, new products used for icon writing have come on the market. This is great news for all of us, I’m sure. I’ve been studying and painting Icons for almost thirty years! Since I first began, the field of iconography has changed so much! There are so many more books on the subject, both “how to”, books about the history of icons, and how to pray with them. Greetings Friends and Fellow Iconographers: Valerie Cullers on The Worldview of an Icono… Michael and Christin… on The Worldview of an Icono… Valerie Smith on The Worldview of an Icono… View Christinesimoneauhales’s profile on YouTube.View Christine Simoneau Hales’s profile on LinkedIn.View Christinesimoneauhales’s profile on Pinterest.View christinesimoneauhales’s profile on Instagram.View Heavensvisions’s profile on Twitter.View Christine Hales Art/Icons’s profile on Facebook.Nor can they stay stagnant in … Continue reading Icons For Our Time Michael Halesįollow American Association of Iconographers on Social Media There are as many different viewpoints as there are people! I think we all agree that icons cannot be relevant to only one denomination of Christianity. As I view FB posts and blogs about contemporary Icons there is a lot of talk about what is a “real” icon.
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